![]() Scream Factory presents Drag Me To Hell: Collector’s Edition. Still Gallery (2:11) are dozens of images from the production including the person working the slate. Turns out the musician saw Evil Dead and wanted to work with Sam Raimi. Hitting All The Right Notes (17:10) goes over the cues with composer Christopher Young. Her pals were excited that she was working with the guy behind Evil Dead. She was ready to do anything for the role. If you don’t watch this bonus feature, she will put a curse on you. But she enjoyed working with him.Ĭurses! (15:58) catches up with Lorna Raver. She slept in her trailer on a few nights. To Hell And Back (12:36) is a recent interview With Alison Lohman. Theatrical Trailer (2:21) shows how a nice girl can toughen up and go to Hell. TV Spots (0:50) promises a return to horror with a vengeance. He talks of liking all the power he controlled during the Spider-Man era. Sam talks about getting to return to a horror film. Vintage Interviews (33:37) with Director Sam Raimi and Alison Lohman And Justin Long. Production Diaries (35:09) is a mix of Behind-the-scenes footage and interviews with Sam Raimi, Actors Allison Lohman, Justin Long, David Paymer, Dileep Rao, Lorna Raver, special effects guru Greg Nicotero ( The Walking Dead) and even Director Of Photography Peter Deming. The audio is DTS-HD Master Audio 5.1 so the nightmare wraps around your ears. The 1080p transfer brings out the ugliness of the curse as things go bad for the loan officer. And who wants less gore and blood in a Sam Raimi movie? Other than the backers of Spider-Man and For the Love of the Game? This was the cinematic Sam Raimi that we all enjoyed dragging people to the theater to see. The director’s cut contains no new scenes, but pumps up the blood and gore. What’s the point of having a film made by the director of Spider-Man if the kids who liked those family friend flicks can’t get into the see the latest? So the movie your saw at the Cineplex was a little bit more restrained. Raimi was the one who wanted the theatrical version to be PG-13. The boxset contains both the PG-13 and unrated director’s cuts. There was an audience ready to see bankers and loan officers dragged to Hell. ![]() The film spoke of the times since that was when the mortgage system collapsed and people were being evicted from their homes. This was the Sam who made us appreciate Shemp. Christine seeks help from psychics, but are they able to expel such a major curse?ĭrag Me To Hell is satisfying for people who had waited not only through the Spider-Man films, but also Sam’s way normal studio flicks like the one about Kevin Costner pitching a perfect game. She tries to make up for it, but Ganush isn’t quite in a forgiving state. Very quickly the curse takes hold during a disastrous dinner with the parents of her boyfriend (Justin Long from those “I’m an Apple” ads). Ganush not only beats her up in an outrageous parking deck fight, but gives her an old Hungarian Gypsy curse about the devil dragging her down to Hell. However she picked the wrong old woman to screw over. While this goes against everything Christine is about, her boss takes note that she’s not a push over. ![]() She immediately sets out to prove it by hard balling the elderly Sylvia Ganush ( Freeway‘s Lorna Raver) that just needs an extension on her mortgage payment. But her boss ( Get Shorty‘s David Paymer) doesn’t think she has the toughness he needs in the new desk. Drag Me to Hell brought him back to his roots where evil wasn’t just a guy in spandex.Ĭhristine Brown ( Matchstick Men‘s Alison Lohman) is a loan officer at a bank counting on a promotion. So Raimi cut back on his budget to return to his true cinematic nature of mixing Three Stooges violence with supernatural horror. But as fun as his webslinger flicks were, they made him tone down his ultra-slapstick elements that filled his Evil Dead series. After years of struggling, Sam Raimi had hit massive paydirt with three Spider-Man films that made billions at the box office.
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